Part One – Kati and Mikal’s
relationship
Question: So, Helena Puumala,
what inspired you to come up with Kati of Terra, the character?
Answer: I wanted a feisty young
heroine, someone that young women especially (but also people of all
ages) could look up to and emulate in some way. But I also wanted
her to be someone who had experienced significant difficulties and
obstacles in her life, so that the reader could identify with her. I
wanted to avoid a victim mentality, but also to make sure that she
had realistic character flaws, as we all do. Thus, Kati’s early,
foolish marriage, which left her with some cautions and unease about
intimate relationships.
Question: Mikal has a somewhat
similar backstory, in as much as he too had a failed marriage. Did
you plan that, or did the characters just evolve that way?
Answer: It’s a bit of both,
actually. Mikal is a few years older than Kati (but only a few), so
I wanted him to have at least as much life experience as Kati had, as
far as relationships are concerned. I thought that would make him a
more appropriate romantic and adventuring partner for Kati.
Question: So that puts Kati and
Mikal on a more or less equal footing, in terms of life experience.
Generally speaking, you seem to follow that pattern in other aspects
of the two characters. For example, Kati has some natural ESP
talents, as well as a flair for improvisation, while Mikal has
training and experience in law enforcement, and a confident, cool
head under pressure. In this respect, the focus on equality, some
might say that you are departing from the conventions of the romance
genre. Was this your intention?
Answer: I don’t think I
consciously set out to do that, but that seems to be the way things
worked out. But I am glad that the characters developed that way, as
the lack of a power imbalance gives the relationship dimensions that
wouldn’t otherwise be available.
Question: Such as?
Answer: Such as, they can have
fun together, in a playful, bantering, almost childlike, fashion.
But when the time for action comes, they work well together, with
leadership passing from one to the other, depending on whose
strengths are more appropriate to the situation. Naturally, they
don’t always agree on whose strengths are more appropriate to the
situation, but the fact that they see themselves as equal partners
means that they can negotiate these situations. Also, because I
avoided the ultra-powerful, alpha-male stereotype, Mikal became a
more well-rounded character that both males and females could relate
to.
Question: Since we are on the
subject of Kati and Mikal’s relationship, I note that you are
generally of the “close the bedroom door” school when it comes to
intimate scenes. However, you are not exactly prudish, as the books
have several scenes, such as the incidents with wild tribes on the
Drowned Planet, that contain sexual content of the bawdy, humorous
variety. Do you care to comment?
Answer: Yes, that probably is
my way of dealing with the topic. I can’t see myself writing
sustained erotic passages. I prefer the lead up to these scenes, the
romantic banter, the anticipation and the subsequent emotional
bonding. I feel that the reader can fill in the erotic details for
herself. As for the bawdy humor, that’s just fun, and gives the
reader a break from the books, any books really, taking themselves
too seriously. I don’t have particular moral scruples about sex
scenes, I just don’t think I could do the subject justice. It’s
a difficult one to write well, and without it coming off as a lot of
repetitive muscular contractions – not that there’s anything
wrong with that! Perhaps if I was in my teens or twenties...
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